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Choreography

The Habit

Title of piece: The Habit
Choreographer: Gemma Crowe
Performers: Erin Lequereux, Jess Ames, Jen Aoki & Jacq Smith

 

The Habit explores subconscious, physical, habits by developing them, adopting them, taking them out of context and letting them take over. The physical habits we exhibit often function as coping mechanisms and as such, are often induced by the people around us. The Habit is an abstraction of social patterns amongst groups of people, looking at how a social setting affects the individual. Life is made up of a variety of different habits, but can we identify choice against habit?

 

The Habit  was made possible through a MascallDance BLOOM residency

 

 

Passive/aggression

 

Choreographer: Gemma Crowe

Dancers: Alyssa Perron, Cayley Hanrahan & Kimberley Ilott

 

Passive/ aggression is a choreographic work 2 years in the making.  Performed at The Lab Art Show 2013 in Vancouver, BC and the 2014 Fluid Movements Arts Festival as part of the Physical Therapy Program in Calgary, AB

 

Irony underlies movement resurrected from a past performance. With a physical sarcasm Passive/aggression is passively aggressive with a capital P! Side by side, dancers systematically confront the space in front of them advancing, ascerting and retracting to no avail. Toeing the line with fierce indifference the dancers represent the struggle between the combat and recoil of truly expressing themselves. Spatial tension becomes the catalyst for the dancers’ futile attempts as their focus is directed, glazed, gazing further into the space they can not reach.

Breaking Similitude

 

Choreographer: Gemma Crowe

Dancers: Celina M Villarroel Whiting, Jen Dunford & Kenley Knock

 

Performed at the RAW Vancouver Artist Showcase and the Lab Art Show

 

Examining female archetypes through movement, specific characterization results from both restrictive, predetermined movement patterns as well as fluid, continuous movement without any distinct ending point. The women in this piece experience the veritable implications of being an individual within a group.

Precarious Perpetuations


Choreographers: Gemma Crowe and Kimberley Ilott
Dancers: Laura Corbeil, Gemma Crowe, Victoria Gaspar, Kimberley Ilott & Riva Whitehouse

 

Performed at the Annual Alberta Dance Festival as part of the Prelude Series
 

Collaboratively exploring the fragility of composite structure. The containment of fluidity, represented in glassware, begins to inform movement decisions through various loops. Reality is flux, however, our failure to use this as the advantage it should be can knock us into a cycle. Noticing and creating patterns is the basis of development in art and ourselves. Subtle and abrupt fluctuation is the undercurrent of movement, with constant adjustments holding form. Aural shape: round, angular and stacked, transposes into physicality as the layers of loops eventually breakdown. The parameters of structure must evolve, enduring the risk of treading upon constant flux in order to progress.

 

Iterations

 

Choreographers: Gemma Crowe & Miku Tsuchiya

Dancers: Gemma Crowe & Miku Tsuchiya

 

Performed at the Fluid Movement Arts Festival as part of the SPARK Series. Calgary 2012

 

Video installation of dancing iterations

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